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| 001 | 1244 | ||
| 005 | 20251118152056.0 | ||
| 090 | _a1244 | ||
| 100 | _a20150504 frey50 | ||
| 101 |
_afre _aeng |
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| 110 | _ay 100zd | ||
| 200 |
_aSemiotica, n°75/1-2/1989 _fAssociation Internationale de Sémiotique _bPERI |
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| 210 |
_aLa Haye _cMouton _d1989 |
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| 215 | _a1-186 p. | ||
| 225 | _aSemiotica | ||
| 345 | _aDon P. Piet HORSTEN | ||
| 545 |
_hp. 123-130 _fLARSEN Svend Erik _iGreimas or grimace ? (Review article) |
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| 545 |
_hp. 1-24 _fMARGOLIN Uri _iStructuralist approaches to character in narrative : The state of the art |
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| 545 |
_hp. 131-138 _fRECTR Monica _iTransference of cinematographic analysis criteria to television (Review article) |
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| 545 |
_hp. 139-164 _fCHAITIN Gilbert D _iPsychoanalysis beyond sex and violence : A revolution in reading (Review article) |
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| 545 |
_hp. 165-180 _fKLINGER Barbara _iThe agonistics of feminist theory (Review article) |
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| 545 |
_hp. 181-186 _fLEVINE Steven Z _iA right-brain allegory of painting and poetry (Review article) |
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| 545 |
_hp. 25-42 _fHAK Tony _iDeveloping a text-sociological analysis |
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| 545 |
_hp. 43-62 _fWALL Anthony _iSur un chemin à l'écart de la métaphore |
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| 545 |
_hp. 63-78 _fHUTTON Christopher _iThe arbitrary nature of the sign |
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| 545 |
_hp. 79-84 _fFUERY Patrick _iToward a typology of the absent signifier |
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| 545 |
_hp. 85-94 _fCORNU Genevieve _iPour une sémiologie de l'oeuvre artistique |
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| 545 |
_hp. 95-122 _fHENDRICKS Willliams O _iCircling the square : On Greimas's semiotics (Revies article) |
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| 608 | _aLINGUISTIQUE | ||
| 608 | _aREVUE | ||
| 610 | _aLINGUISTIQUE | ||
| 801 |
_aTN _bBIB.CEC _c200825 _gUNIMARC |
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